The Sarah Jane Adventures: The Complete Fourth Season (2011)

Sarah Jane's son Luke (Tommy Knight) features prominently on the cover art, but the character is only in the fourth Season occasionally, and mostly it's from the other side of a webcam chat. His absence is used to highlight the kind of feelings that a parent may experience when their only child leaves the nest, and the sense of abandonment and fear of further separation that a small but close-knit group of friends can feel when one of their members is no longer present.

In one of the two-parters, within a dream scenario (the subject's first, incidentally) lurks an Elm Street / Pennywise-esque creature that preys upon self-doubts and anxiety, which is something that the youths have much of at that time. It has a creepy nursery rhyme jingle, too, which is often a plus in that kind of scenario.

Additionally, looking at the same situation from a different angle, it shows how we can draw courage and strength from trusted friends when we need it most.

Rani (Anjli Mohindra) and Clyde (Daniel Anthony) have always worked well together, both as characters and with regards the actors' onscreen chemistry, which is just as well because with Luke absent the duo are required to step up and fill multiple roles. One such situation has them running ragged while trying to save the entire Earth from ultimate destruction - so, no pressure, then.

Throughout the series there's commentary on how we are frequently influenced and inspired by our family and friends, the latter being something that I was reminded of very recently in my personal life. (If you're reading, TYVM.)

There's another welcome Doctor Who connection, which plays a role in the season's best two-parter (Eps 5+6), a story dealing with the death of a loved one, with subsequent denial, and how such unfathomable change can make us appreciate those we still have; it contains a superbly written and admirably concise explanation of grief, one that a young person could understand. Also, it has lots of stuff from Who's past, for fans who enjoy both the old and the new.

And finally, for this review, at least. there's a time-travel episode that reminded me of the wonderful Sapphire and Steel (1979-82) TV series.

12 episodes, approx 27 mins each.

3½ enduring echoes out of 5

Sapphire and Steel (1979-82)

I saw it first when I was a kid. I don't remember what age exactly, but it blew my young mind. I saw some of it again in my twenties. It blew my mind once more. You can guess where this is going... yup, and again in my thirties, mind blown. During all that time I encountered nothing else quite like it, so in my experience it's unique.

Wikipedia notes that the show's creator, Peter J. Hammond, gave it the working title of The Time Menders; and while not as seductive or as pleasing to say as Sapphire and Steel, it does a better job at describing what the series is as a whole.

The enigmatic duo are 'operators' that fix time when it goes wrong or when parts of it leak or break through barriers into other parts. It's known that there are 127 operators in total, of which Sapphire (Joanna Lumley) and Steel (David McCallum) are two. Their full role is a mystery, but part of their job is to mend fractures that exist between temporal states; they're a line of defence, preventing the malicious side of past, present and future from destroying itself and everything within it. Time itself is described as a corridor that encompasses all things, so in a way the operators are like interdimensional hall monitors maintaining order.

Joanna Lumley is radiant and sympathetic as Sapphire, although she can paradoxically be sometimes cold and detached at the same time. David McCallum is austere and methodical as Steel. Yes, both are like their names, but I've often wondered if the names came first or if the personalities preceded them.

Stories (called 'assignments') are multi-part, so while there are 34 episodes in total there are only 6 assignments and it's best if you make time to watch all of one assignment in one sitting. Each assignment has a resolution but don't expect to have all questions answered. It's deliciously cryptic but not to the point of bafflement. The editing and use of sound are excellent, keeping events tense and flowing, always engaging and often eerie - at times even chilling.

I feel that the low budget actually works in the production's favour. The feeling that we're on a sound stage adds to the unsettling nature of the environments. It's almost as if for the duration of the assignment they've lost the intangible sense of safety that we unconsciously attribute to traditional notions of reality.

34 episodes, approx 25 minutes each.

5 side doors out of 5

Bad Influence! (1992-96)

My first thought was, 'Who let Andy Crane out of the broom cupboard?', but he did an okay job on his feet, showing an admirable amount of enthusiasm in the presenter role. His co-host of the show is Violet Berlin, which is a name that most UK folks who were into gaming back in the 90s will recognise.

It wasn't as good as the similarly themed GamesMaster (1992-98) series that aired on a rival channel, but Bad Influence!'s focus was broader.

It states on Wiki that the show was like a 'Tomorrow's World' for kids, which is an observation I agree with. Of course, it means nothing if you don't already know what kind of a show Tomorrow's World was. In both cases, new technology that was either still under development, in the testing phase or already on the market was showcased in an easy to understand way that didn't compromise the scientific nature or importance of the product. Features were either in the studio or on location and showed the presenter(s) getting hands-on with the new tech.

The techy stuff was cool, but the main focus was Video Games, Consoles and Home Computers. By 1992 the 16 bit consoles had taken a strong hold, but CD-based options were appearing. It's fun to look back and see how things like the Panasonic branded '3DO Interactive Multiplayer' and the 'Phillips CD-i' were heralded as the next big thing, when in fact they were the next big failures.

Interestingly, product reviews even included third-party devices, such as the kind that enabled gamers to circumvent copy protection on cartridges, allowing for import carts to be played on UK machines. The friendly warning that the use of such gray area products voided your warranty seemed more like a necessary addition to keep the team on the right side of the law than anything else.

The competitions were mostly amazing; in one episode they even gave away a Neo Geo with games! In the UK at the time, a Neo Geo was like the Holy Grail - in fact, it was better, because you can't play Metal Slug on the Holy Grail.

57 episodes, approx 20 minutes each.

3 super-fast datablasts out of 5

Knightmare (1987–94)

As a young Faustus I loved all things fantasy and supernatural. Fighting Fantasy books, Dragonlance and Forgotten Realms novels, HeroQuest gaming sessions, etc, so it's no great surprise that Knightmare fit perfectly into my life.

Four adventurers (kids under 16) entered the Castle of Confusion in the hope of conquering its dungeon. One wore the Helmet of Justice, which limited what he/she could see, and entered the dungeon proper. The remaining three stayed behind to act as guides, able to see on a screen where their friend was, to direct and keep the Dungeoneer from falling into imaginary pits of doom and suchlike.

The rules of the game were overseen by Treguard the Dungeon Master, pictured above, a noble(ish) born Saxon, he would give occasional clues and hints to either help solve a puzzle or feed the team's nervousness. Treguard rocks!

Even though it was all for the children, the adults were the real stars. They treated the chroma key (blue screen) locations as a kind of stage, treading boards that weren't there as enthusiastically as they would if they actually did exist. In short, they were a theatre troupe doing what they do best: bringing theatrical life to an otherwise empty space. In addition, they had to ad lib when the kids turned out to be more stupid than they'd anticipated for, which was often. It's not unfair to say that some of the contestants hit every branch of the stupid tree when they fell.

Each year the dungeon would shift, offering new challenges and presenting new recurring characters. Even Trequard (Hugo Myatt) got himself an aide or two, my favourite being the elf Pickle (David Learner), who started out a little annoying but grew into a truly memorable part of the show in his second year.

The rules were unevenly enforced; it could be overly-harsh one minute and too forgiving the next, depending on how thick the kids were. It started out pandering to them, but soon got bored with that approach. In S3 the cast toyed with humiliating them, successfully, and in S4 the level design almost sent a few of the clumsier ones to the casualty ward. When a team who knew what they were doing featured, the show became the thing that it was envisioned to be: magical.

112 episodes, approx 25 minutes each.

4½ watchers of illusion out of 5

GamesMaster (1992-98)

For the people that saw GamesMaster back in the day, that watched Dominick Diamond in his presenter pants talk straight-faced about waggling his joystick in public, the warm fuzzies of nostalgia that accompany this post are for you.

For everyone else, yes, the disembodied head in the picture above is the one and only astronomer extraordinaire Sir Patrick Moore. He was the godfather figure on the first ever dedicated video games show on UK TV.

GM went to places that other shows didn't. It plumbed the furrows and poked the holes. It even reached around without being asked because it cared. It was dangerous. In truth it was nothing more than innuendo, but if your mother walked in at the wrong time she’d be outraged. That just made it better!

As an adult now, I can see how Dom’s “verbose vernacular” could be perceived inappropriate and occasionally borderline pornographic by the emotionally stunted, but it didn't stop me chuckling the same all over again.

Dom left after Series II and was replaced by Dexter Fletcher, who was arrogant and shouty. It was a disaster. That’s all I have to say about Series III.

Mercifully, Dom returned for Series IV - VII. The innuendo was slightly curtailed, but the elevated icy sarcasm more than compensated. It’s as if he thought ‘I don’t give a toss about decorum or Channel 4. If they sack me, I’ll go out a winner.’ He'd perv the ladies and ridicule the men equally. The weekly mocking of Dave Perry, an act Dave seemed unaware of for the longest time, was pure gold.

Commentators and reviewers were from popular games magazines of the time, such as C+VG, Game Zone and my favourite, the one my paper round money paid for, Mean Machines. They dished out ridiculous scores of 80 and 90% for games we found out were turds when we rented them illegally from the unscrupulous but enterprising video store owner at the arse-end of town. Every town had one.

It was the era of the Mega Drive, SNES and Amiga; of Sensible Soccer, New Zealand Story, Alien Breed, and micro spring joysticks that broke about a week after purchase (but could we ever find that damn receipt?). Sonic 2, the slowed down PAL version, was a cutting edge new game! Bloody hell.

As the years went on the fast-loading, cartridge-based systems were forced into retirement as a cocky newcomer, the optical disc, arrived and seductively stroked the pockets of gamers the world over hungry for innovation. Little did we know it would lead to draconian business practices, patches, DLC and Season Passes.

126 episodes, approx 25 minutes each.

4 tight right-handers out of 5

The A-Team: The Complete Series (1983–87)

I was reminded recently that the question, "Why do you watch that crap?" makes me less inclined to validate the reasons for my own choices and instead more aware of the hidden agenda of the person asking it. It's not a genuine inquiry. It's a thinly disguised insult. With that in mind, I feel sorry for anyone who didn't have The A-Team in their front room as a kid. Not having Sergeant First Class 'B.A.' Baracus, Colonel John 'Hannibal' Smith, Lieutenant Templeton 'Face' Peck and Captain 'Howling Mad' Murdock to provide escapism and feed the imagination is like having an integral part of a happy childhood denied you. It's like having never played with LEGO. It's like having never tasted strawberry sherbets in summer.

Being a fan of The A-Team was a privilege; one that was available to every sighted person who owned a working TV, whether it was the rich kid with a silver spoon feeding both ends simultaneously, or the ostracised, abused kid with an alcoholic father whom everyone thought was destined to be the same.

The show taught us that with good friends and a little ingenuity we could stand up to the bullies. (It made me want friends that I could rely on as much as the team relied on each other. I don’t know if I ever had them. I like to think that I had.)

It taught us that money isn't important to happiness, which was the opposite of what most corporate 80s TV programs wanted us to think, and it repeatedly showed that a selfless good deed is its own reward.

It taught us that Hannibal loves it when a plan comes together.

It taught us that villains will always get up afterwards with nothing more serious than dizziness and a bruised ego. But that part was a lie. In so doing, whether intentional or not, that same lie taught us that real life wasn't always like TV.

In the past year I've thought more than a dozen times that whichever post I'm working on at the time is the last one I'm making on this particular site, but I keep coming back. It's now clear to me why: I want to give all the people who get asked "Why do you watch that crap?" an incentive to revisit the reasons why they did watch it and to remember what it was that they gained from doing so. If you love something, scream it from the rooftops.

(What you're reading isn't the kind of review I was expecting to write when I sat down. I'd planned some jokes about B.A.'s bad acting, Hannibal's bad disguises, Murdock's tee-shirts, Face's shameless sexism and how in a pinch the team could build a tank from an egg box, but you've heard all those jokes before. This way, when the time comes for me to ride off into the sunset, I'll be entirely satisfied.)

98 episodes (5 Seasons), approx 47 minutes each, split over 27 discs.

5 wheel cams out of 5

Star Trek: The Next Generation: Season 4 (1990-91)

TNG didn't have the same level of continuity as the subsequent DS9 and VOY incarnations of Trek had, but not all events passed without consequence. More than any of the preceding years, Season 4 made an effort to address that.

It begins by concluding the Season 3 cliff-hanger, The Best of Both Worlds. The following episode explores the feelings that one key member of the crew was left to deal with after his ordeal at the hands of the Borg.

In the remaining episodes there are at least a dozen returning characters from previous years, most of whom upset the apple-cart in some way.

Speaking of which, Lwaxana Troi is a wonderfully rich character. She gets an opportunity to show that she’s more than just a thorn with an elevated libido in Picard’s side. (It makes me grin when she converses with the ship’s computer.)

The writers also capitalised on the level of trust that the crew had built up over the years. It’s used not just to help the dialogue feel less formal, but the closeness and familiarly meant they were each able to anticipate what the other would do, and that in turn was often used as a catalyst for puzzle solving when one or more of the team got in trouble.

The uneasy peace between the Federation and the Klingon Empire is further explored. Also, the Romulan and Cardassian races grow in significance, showing that the feelings of resentment toward the Federation’s position within the Alpha quadrant are increasing; it’s something that we were always supposed to assume but it was rarely shown so openly.

Everyone will have their favourite, but some of the best episodes are undoubtedly Data’s Day, in which we’re given an insight into the Android’s daily life, and The Nth Degree, an episode that revolves around one of the more exciting returning characters that I alluded to above.

There are a small number of episodes that aren't up to the standard set by the others, but mostly it’s another strong year for the Enterprise D crew.

26 episodes, approx 44 minutes each.

4½ motivating mysteries out of 5

Jonathan Creek: Series IV (2003 - 2004)

The first three series of JC can be seen as one collective era because they share the same two principal actors, Alan Davies and Caroline Quentin. Caroline chose not to return after Series 3, which left a gap needing filled because Jonathan's character needs an ancillary to bounce ideas off and to get (unintentional) inspiration from. That gap was filled by Carla Borrego (Julia Sawalha).

Carla made the show even better. She's a wonderfully rounded character who brought a similar kind of resourcefulness and determination as Maddie, but with a whole new self-important attitude supporting it. She's vulnerable beneath the hard outer shell, but she goes to great lengths to hide it from the world.

She got her introduction in the 2001 Christmas Special. It's not necessary to have seen it, but it's advisable because it shows the genesis of their relationship and helps explain the boundaries that exist from the offset in Series IV.

They look stern and miserable on the cover. That's really not representative of the pair at all; it's the least flattering image they could've chosen.

Bringing a new woman into Jonathan's life offered an opportunity for new kinds of problems, and she didn't disappoint in that department, either. Maddie used his profile to help sell her books, but Carla uses it to further her TV career, making him a lot more famous in the process, which is something that he'd rather avoid.

She wasn't the only new addition. We'd already had Nigel Planer (Series 1) and Rik Mayall (1998 Xmas Special) as guests, so it made sense to have Ade Edmondson. He gets a quality supporting role and stays for the duration.

6 episodes, approx 60 minutes each.

5 whetted appetites out of 5

Blackadder Goes Forth (1989)

In some ways it's business as usual, but in other ways the fourth incarnation is very different. I can't say why without going into spoiler territory, but I'm confident you'll come to the same kind of conclusions if you watch it.

It's set in 1917. Edmund and his companions occupy a WWI trench on the Western Front. They're all a little stir crazy. Edmund being Edmund means he'd rather be elsewhere doing other things, anything, and so spends the entire time trying to achieve that seemingly impossible goal.

It's a kind of reunion of past cast members, each given a military rank. Besides Captain Blackader there's Private S. Baldrick (Tony Robinson); Lieutenant George (Hugh Laurie); Captain Darling (Tim McInnerny); General Melchett (Stephen Fry); and a few more cameos. Fry gets some of the best lines. I'm amazed he managed to deliver many of them without breaking down into hysterics.

While Blackadder II remains my personal favourite, there's no doubt that IV has better production. The sets are more believable and the costumes are beautifully made. It feels less like a comedy sketch show with a tacked on plot and more like an actual sit-com with real, lasting consequences. The actors fit their roles perfectly. The individual episodes are better scripted and the satire is arguably more relevant to our time. The last episode in particular deserves high praise.

6 episodes, approx 30 minutes each.

4 of the best, trousers down out of 5

Ghost Adventures: Season 4 (2012)

In season 4 Zak, Nick, and Aaron add another chapter to their paranormal investigating series Ghost Adventures. As you venture through you will encounter proverbial hotbeds of activity in death-ridden locations such as Gettysburg, the Sacramento Tunnels, a Salem witch house, and a return to Goldfield Hotel, the site of their most stunning piece of evidence. After watching a few episodes I noticed a change in tone compared with previous seasons, one almost of respect as their usual provocational methods had dissipated. Zak still heads fearless into each investigation but more with aims to communicate rather than intimidate any potential lost souls.

Spontaneity is key this season as different sites are acquired on the fly during preliminary analysis. In some cases the crew splits up to cover more ground as they did in the Stanley Hotel, filming three separate rooms simultaneously. Thankfully, less attention is spent fooling around as the team seems more determined. Creepy effects and 2nd unit footage have increased though this can become very distracting and certain reenactments are almost laughable. Zak adds to his mission of documenting the paranormal as he uncovers hidden truths on certain unsolved events such as at the Villisca Axe Murder House where a class A EVP sheds light on the case. The crew continually add local ghost hunters to their numbers during investigations and even have an EVP specialist analyze live data in order to be kept up to date on any phenomena.

And the list continues when it comes to the documentative and spiritually interactive equipment used, my personal favorite being the PX Device, which contains a 2,000 word database for disembodied entities to choose from. With 12 haunting episodes abundant with phantasmal footage and a more mature focus on documentation and less on pointless antics, the Ghost Adventures crew has proven it is the top showcase for evidence of the paranormal.

Buyer's Guide:
Available as a 3 disc set containing 12 episodes

4 terrifying places Aaron doesn't want to be out of 5

BREAKING BAD - Season 4 [2011]

"I am not in danger.

...I am the danger."

After the devastating, jaw-dropping finale of the the third season, Vince Gilligan's neo-noir/modern Western Breaking Bad had nowhere to go but down some immensely dark passages in it's fourth year. 

Like a twisted chess game, with lives at stake, the year starts off fairly slow, with the exception of the intense season premiere, enthrals in the middle and puts you at the edge of your seat with it's explosive finale.  Riddled with symbolism and a determination to drive forward, it's difficult not to be in awe of Gilligan and Co.'s attention to detail and character arcs.  The color schemes of both the costume and set designs are particularly impressive this year, as they compliment the beautifully, unique photography both dramatic and expositionary.  Dave Porter's ambient score broods and ticks like a time bomb waiting to go off with precision and dread, while the mostly Latino source songs slip into the setting with comfortable ease. 

Lastly, I know everybody says it but I can't say enough about Bryan Cranston's brilliantly intimidating performance.  Having never seen the show, my brother was comparing the DVD covers of Season One and Season Four and laughed “what happened to him?”  By the end of the fourth season, sweet old high school teacher, Walter White has finally become the monster he pretended to be in it's first year.

No more Mr. Nice Guy indeed. 

13 Episodes. 47 minutes each.

Buyer's Guide:
Available in both DVD and Blu-Ray sets and on iTunes, Netflix and Amazon.

4 ½ Walking Dead's out of 5

Case Closed: Season 4 (2010)

Where there is crime there is Conan Edogawa, detective to confront it but as the tide rolls in on Case Closed season 4, it would be more befitting to state wherever Conan stands a murder isn't far off. As the series ventures past the 100th episode mark it's obvious the stories are running low on drama as there are more two-part episodes than ever this time around. And as lovable as the cast of characters are, some change to the line-up would be welcome. Kudo's rival-turned-confidant Harley makes a few appearances but is hardly a regular. The original language dialogue with subtitles still reigns over the dubbed. As I found in the mystery "Massacre Night" the writing for the English version struggles to make sense of certain Japanese-specific clues like kanji.

As in usual television fashion, there are 100th episode festivities which include a feature length story, superior animation and coloring, special guest appearances, and yet another tease as Rachel gets close to unveiling Conan's true identity. Unfortunately the feature is really just two investigations back-to-back and ends up being divided into the regular format, dissolving any sort of dramatic build-up. The special appearances include Rachel's mother and Jimmy's jetsetting parents who both figure in to the latter investigation. The show tries to add some much needed flavor once again with new opening title and closing credit sequences but what Case Closed really needs is a permanent change to the main mystery's structure. It needs to be shook up to create some waves or it will continue to grow tepid and unimaginative.

Buyer's Guide:

Available as a 4 disc boxset containing episodes 80-105

2 Rachel is as clueless as Lois Lane out of 5

Babylon 5 : Season 4 : No Surrender, No Retreat (1997)

The events of the Season 3 finale are carried over into Season 4. It closes some doors that were opened in Season 2 and opens some new doors that won't be shut until the final episode of Season 5. I like to think of it as B5's Dune season; expect political intrigue, religious motifs, betrayals, power hungry Emperors, plans within plans, assassinations, and wars on a planetary scale. Elsewhere, the season deals with love, loss, identity, the desire to change and the things we must sacrifice to gain the ability to carry out such change. The Man In-between is revealed. And there are some exciting space battles for those that like that sort of thing.

Londo and G’Kar continue to grow and to further complicate their already complex relationship. Both men are two of the finest small screen actors that I've ever seen in sci-fi. The penultimate episode gives Ivanova a chance to show that she really can act after all, she manages in five minutes what she never managed in four years previous: to make us care about her. I almost wept.

NOTE: Reportedly, JMS was told that he had to wrap-up everything because he wasn't getting a fifth season, so he did, he packed in two years of story and gave the series an ending that made sense and was bittersweet. Things move almost too fast because of it. Then the ass-hats told him that he had a fifth season after all, so he moved the bittersweet final episode to the very end of Season 5 instead, and in its place put something pointless to close Season 4 (The Deconstruction of Falling Stars). I don't know how other B5 fans feel about it, but I prefer to end a viewing of Season 4 after episode 21. (I said in my Season 2 post that we should suffer shit episodes for the greater good, but Falling Stars is my one exception to that.)

22 episodes, approx 44 mins each.

4½ things that should not be used out of 5