THE KIDS IN THE HALL [1989-1995]

An optimist says, "The drink is half full." 
A pessimist says, "The drink is half full
...but I might have bowel cancer."

For five seasons, Canada's cult-classic comedy troupe The Kids in the Hall shocked, offended and most definitely humored with it's contemptuous crackpot self-titled sketch show.  Made up of Dave Foley, Bruce McCulloch, Kevin McDonald, Mark McKinney and Scott Thompson, the five-man act were notorious for doing a damn-fine job at dressing in drag, crushing heads, testing the censors and most of all making sure they were guaranteed to always come up in comedy sketch show conversations.

Unlike most sketch comedies that depend on pop culture and political issues, The Kids cynically tackled several touchy subjects such as sexuality, bigoted stereotyping, mental illnesses, religion and dysfunctional living styles.  Quite often frighteningly clever, they weren't afraid to embrace their nonsensical stupid side either with overly horny chicken ladies or cigar-chomping dirtbags with cabbages for heads.  Some of the many highlights included Thompson's gay bar owner Buddy Cole's lengthy monologues, Foley's silent French-Canadian under-dog Mr. Heavyfoot, McKinney's foolishly "sophisticated" hipster Darill, McDonald's adorably evil stage-entertainer Simon (& Hecubus) and McCulloch's David Lynch style short films that are complimented with the audience's nervous laughter.  

Throughout their five seasons of 102 episodes, The Kids managed to keep a consistent quality that only started to show a bit of downslope in a few of the final episodes when they just got plain weird for the sake of being weird.  However, when most sketch comedians know their material isn't top-notch they wear it on their sleeve with embarrassment but The Kids stuck it out and gave it their all making even the weakest of bits worth your time.  

5 nutty bunnies out of 5

Aqua Teen Hunger Force (2000-10)

Nothing I’ve personally experienced is a better representation of absurdist humor, as I understand the concept, than ATHF. This review is going to be intensely brief, because it’s the exact sort of thing that can only be appropriately discussed by quoting lines from it. Don’t let anyone on youtube tell you different, or get upset at you because of it. It’s genuinely the only manner of discourse that makes ANY sense, because this show makes NO sense. It’s not intended to. When you watch these ten to twelve minute episodes, expect the endings to be sudden, both in terms of narrative and logic. They follow an anthropomorphic group of fast food items and their sweatpants and wife-beater sporting neighbor. Master Shake is an ego-driven (essentially powerless) megalomaniac, Meatwad is an adorably naive weirdo, and Frylock mostly tries to ruin their fun, while still usually contributing to it in some fashion. Carl...Carl is god. Plenty of ancillary characters crop up repeatedly to fuel their timeless shenanigans, as well.

If you’ve never seen a second of the show, go watch a few clips. There are loose plot structures afoot, but you really won’t be missing anything in terms of context and being spoiled isn’t actually something that can happen, here. As long as you’ve seen the above four in action, you’ve seen enough to make a decision. Outside of the episode Robots Everywhere, I don’t personally feel that the quality drops noticeably or objectively over the course of the core show’s run. What I mean by that is that the last few seasons were actually given new names, which all still contained ‘Aqua.’ Those later seasons are not on DVD, and consequently, I do not have them and have not seen them. I’m not one for watching things on television as they air, so this is mostly how I’ve experienced the series. Know that the seasons don’t perfectly match up with what is included on each DVD volume. Two episodes of Season 1 are on Volume 2. Season 2 is spread across Volumes 2 and 3. Aqua Teen Hunger Force proper is available on seven dedicated releases and a shared volume branded as the season entitled Aqua Unit Patrol Squad 1. There’s also one movie.

I said ‘objectively’ in the previous paragraph because, to me, the first few volumes FEEL more iconic. I believe this is simply because I’ve watched them enough for most of their lines to become permanent references in my cultural repertoire. The episodes on the fifth through eighth volumes are not any less creative or in any significant way lacking. I simply haven’t committed the same amount of time to them. I should fix that.

Guess this wasn’t so brief after all~

5 Unfathomable Scumbags out of 5

Unbreakable Kimmy Schmidt (2015)

(exasperated) Yes, there was weird sex stuff in the bunker.

Kimmy Schmidt was forced into a cult and locked in an underground bunker for 15 years with 3 other women and the cult leader who told them that an apocalypse had destroyed the surface. When they are rescued by the police, they gain instant celebrity status. This doesn't sit well with Kimmy who just wants to live a normal life and decides to stay in New York where she can blend in easier than back home. She is very upbeat and unlike other fish-out-of-water tales isn't stupid or incredibly naive(only a little), just out of touch. She will attempt to overcome this with the help of her new roommate Titus, a gay black man with aspirations to sing, but who instead passes out flyers while in costume and her landlord, a seemingly sweet older lady who still slings drugs and is not quite all there either because of age or aforementioned drugs. Kimmy's uplifting enthusiasm is a perfect role for Ellie Kemper and there is a surprise in Jane Krakowski who expertly plays a rich trophy wife who meshes pretty well with Kimmy as they are both out of touch. Kimmy because of kidnapping and Mrs. Voorhees because she is super rich and has long forgotten how to take care of herself.

The show was originally made for NBC who passed on it probably because it was just too weird and oblique for a mainstream audience, but it has all the trappings of a broadcast sitcom until it eventually doesn't have to be. This works both for and against it as the jokes can flow much more freely without fear of censors, but the pacing gets off track and disjointed. There isn't a whole lot of focus on the various plotlines and either because of budget and/or writing, characters and stories come and go haphazardly. Krakowski especially disappears mostly in the middle and only reappears for the final storyline in the end which is a shame since her and Kimmy's dynamic was among the funnier bits. While there are clever jokes and the random naive outbursts from Kimmy (like unknowingly using "urethra" instead of "Eureka") are funny and plentiful, there is just as much humor drawn from the well of bland and offensive stereotypes whether it be Titus flipping through all the tropes of a stereotypical gay man or an immigrant friend with an unconvincing asian accent (intentional or not it is just annoying). It is still very watchable and since the Netflix deal guarantees a 2nd season, here's hoping any problems can be ironed out.

Buyer's Guide:

Available now streaming on Netflix.

3½ viral video remixes out of 5

Titus Season 3 (2001)

Horrible, heinous, brutal stuff happens to everyone. So if something tragic happens in your life, go ahead, take some time and grieve. *DING* Time's up! Movin' on.

Christopher Titus is working on regaining his reputation and getting his finances in order for his failing hot rod business. That is the overarching plot, but it is actually largely unimportant and mostly forgotten later in the season. The show continued with its dark subject matter, moving on to episodes focused on child abuse, murder, severe mental illness and hate crimes against LGBT. The latter actually won the show a GLAAD award since even though the characters were crass about it, it still put forth that gays deserve equal rights. Pretty radical stuff for 2001 TV. The latter half of the season is probably the best, both in laughs and subject matter as the severe mental illness of Titus' mother affects almost everything in the show. The black comedy was in fine form with hilarity mixed with a sincerity that comes from Titus having actually gone through real life situations that inspired the show.

The show was hitting a stride despite the networks' continued objections to the crude content that caused a few episodes to air out of order and mixed with a plot about a disturbance on a plane in THAT year caused a delayed airing that further threw the schedule out of whack and a meeting with executives that Christopher has talked about several times caused the show to be cancelled. As Titus puts it, "Call your boss an idiot enough times and they will fire you." The silver lining is the show went out before it became too formulaic like other shows that also have heavy use of cutaway jokes and flashbacks, but the theatrical play filming was still fairly unique. Like the other seasons, it can feel a little dated now, but still worth the time to watch.

Buyer's Guide:
Only available on out of print DVD box sets that at least have some decent extras.

4 taking out 4 armed guards with a pair of tweezers out of 5

The Hitchhiker's Guide to the Galaxy (1981)

THGttG is an adaptation of Douglas Adams’ most famous work and provides proof positive that you don’t need a huge budget to create entertaining television science fiction, you just need a really good script and a towel.

Somewhere there’s someone who hasn't seen it, heard it or read it (it was a radio play and a novel before being turned into a show), so a quick synopsis: it’s the tragic tale of a regular Joe who wakes one morning to find his house is to be bulldozed that very day. The Joe is named Arthur Dent. Unbeknownst to Arthur, that particular toe-stub is small change in the galactic sense of the word because high above Earth hangs a Vogon ship with an even more destructive intent.

The Hitchhiker's Guide itself contains information to educate the galactic traveller and help them steer relatively clear of danger, or at the very least avoid the kind of embarrassing faux pas that taints even their unborn grandchildren. When read aloud it’s accompanied by cheap illustrations that appear to have been created on a two slice toaster powered by a potato; they somehow won an award. The voice is actor and radio broadcaster Peter Jones because if you’re going to give a book a voice it better be a damn good one. Quite often scrolling text extrapolates or expands upon what the voice is telling us. If you want to read it all you’ll need to make use of the pause button. It might seem like a chore at first but it's well worth the small amount of effort required. Stop being unfathomably lazy.

Everything has a very British parlance, so expect dry humour, comedy cynicism and cups of tea. At times it resembles a less tangential version of Monty Python's Flying Circus, particularly the episode which takes place at the restaurant.

If you're too busy to sit and watch a TV show, the radio play is equally as good and provides much the same experience minus the visuals, obviously.

6 episodes, approx 30 minutes each.

4 strange coincidences out of 5

Legit (2014)

Jimmy's on a bad luck run, yo.

Season 2 picks up mostly where season 1 left off. Jim has lost his girlfriend Peggy, fired from a lucrative acting gig after making the lead actress uncomfortable with a rape joke and then is possibly diagnosed with a sex addiction by Dr. Drew after he drops his phone in the toilet while using it to masturbate in the shower. Steve is spiraling out of control as well with a growing alcohol addiction and frequent drug fueled binges that threaten his already strained relationship with his ex-wife and young daughter. Billy deals with the progression of his muscular dystrophy and while Jim resolves to dig himself out of their ruts, they all have varying degrees of success. Jim tries therapy, charitable shows for the disabled and veterans, and reconnecting with old flames, but they don't always work out either because of bad luck or just his crass nature. They will also test his resolve and possibly threaten his career.

The season is the same as the first with hilariously black comedic plots often pulled verbatim from Jefferies' stand-up routines, but adds a bit more dark themes that he is also somewhat familiar with like addictions toll on loved ones and depression. The show might seem to lose some of its comedy, but becomes better with the stark mixed with the hilarious. The season was just full of the hilariously raunchy jokes like the thin walls during a happy ending massage or Jim falling for a supposedly perfect woman except for being incredibly racist. It really seemed to hit a stride which is too bad that it was moved to the obscure spin-off channel FXX where no one watched and was cancelled at the end of this season. At least it had some resolution and went out on a high note.

Buyer's Guide:
Available on iTunes and Amazon Instant video.

4 binges ending on the beach in your undies with no recollection out of 5

Tabitha: Complete Series (1976–78)

It was sad to see Bewitched (1964-72) end but it had a heck of a good run and it struggled in the final season to keep the format interesting. A series that focussed on a grown up Tabitha Stephens seemed like the next natural choice.

There were two pilots; neither of which stray too far from the established format. The first was set in San Francisco and acknowledged the changing times, specifically the role of women who were no longer unfairly depicted as dutiful housewives. It had Tabitha (played by Liberty Williams) working as an editorial assistant (secretary). She’s joined by her brother Adam (David Ankrum), a Warlock who relies on his powers frequently. The comedy is targeted toward a slightly younger adult demographic than Bewitched had been.

It was unfairly scrapped and a second, inferior pilot commissioned. Liberty Williams was replaced by Lisa Hartman. The drama was moved to Los Angeles and Tabataha became a Production Assistant at a Television studio. She follows in Samantha’s footsteps by choosing to live among mortals as one of them.
In a complete reversal, her brother Adam, who is inexplicably older than his sister despite having been born second, struggles to get her to refrain from using her twitchy-witchy powers. He essentially becomes Darrin, expect he’s not married to his witch because that would be weird.

Samantha’s flamboyant Aunt Minerva (Karen Morrow) is a regular. Her character is a desperate attempt to compensate for the lack of Endora, but you can’t replace Agnes Moorehead no matter how much you may want or need to.

I don’t think it’s the travesty that many people claim, but the magic is absent - I mean the character type, not the witch type. It was beholden to something much better than it could ever hope to be, so from day one it was caught between a rock and a hard place; i.e. Bewitched and a Bewitched fan’s expectations.

13 episodes (inc. pilots), approximately 24 minutes each.

2 family secrets out of 5

The Unusuals (2009)

Be on the lookout for a male wearing a hot dog costume, last seen running west on Halston Street. Suspect may or may not be wielding a samurai sword.

Casey Schraeger is young detective working in the Vice department of the NYPD when she is suddenly transferred to homicide to replace a cop who was just murdered. That is all on the surface, but she is also tasked by her new sergeant to secretly uncover any secrets and improprieties of not only the murdered cop, but also his former partner/her new partner, Jason Walsh as well as the other detectives in the department. Detective Banks is so paranoid that he will die that he sleeps in his bulletproof vest, has foam padding around the edge of his desk, and replaced all his furniture with inflate-able chairs. Detective Delahoy has recently found out he has a brain tumor, but hasn't told anyone and refused treatment out of fear of what the treatment might do to him which ironically has made him somewhat more fearless in contrast with his partner, Banks. There is also Detective Cole who is a hardcore Christian whose faith is unwavering and his partner Detective Beaumont who is a tough, no nonsense Hispanic woman.

They will all work to solve cases that are rather unusual with the gritty atmosphere mashing with comedic insanity. Like the murder of a naked man running down the street, or the disappearance of a nursing home patient despite him being declared dead. What seems like another police procedural is actually a black comedy that is focused less on the procedure and more on the characters who are all interesting and nuanced and only become more so as viewers get to know them and as Casey learns more about their secrets. The shows premise is a good one even if the whole secrets shtick is finished about halfway through the 10 episode run. The conclusion of that particular plotline would have made a decent finale other than the episode that became the finale because of cancellation. It was a fine episode, just not a spectacle like most finales are, but the episodes after that are still good, one of them being my personal favorite. Great characters, full of wit and some decent action. I only torture myself wishing it would come back for more than 10 episodes when I know it won't.

Buyer's Guide:
Available on a 2 disc DVD set, the dvd mail part of Netflix, Amazon Instant Video, and for free on digital streaming service Crackle.

4½ Unusual interrogations of cat murderers out of 5

Silicon Valley (2014)

Kid Rock is the poorest person here aside from you guys. There is 40 billion dollars of net worth walking around this party and you guys are standing around drinking shrimp and talking about what cum tastes like.

Richard Hendricks is a programmer who works at Hooli, a fictional facsimile of tech companies like Google, who lives in an incubator: a group home for programmers who pay rent with a share of any future programs they may or may not sell. When a piece of code he writes shows promise, he is quickly thrust into the high stakes world of Silicon Valley venture capitalists and billionaire CEO's, a situation which he is completely unprepared for with just being a stereotypical tech nerd who is prone to panic attacks and anxiety induced vomiting. To help build his new tech start-up he enlists his incubator roommates, Dinesh and Guilfoyle, along with the incubator landlord, Erlich Bachman, who comes along since the terms of the incubator gives him 10 percent of the new company. They all bring something to the table despite their idiosyncrasies like Dinesh and Guilfoyle's constant competition with each other and Erlich's penchant for grandstanding and taking copious amounts of drugs.

Mike Judge uses his insider knowledge of the tech world to make a hilarious and witty send-up of tech culture. The humor from the show uses nerd stereotypes, but in a way that isn't watered down with offensively inoffensive sitcom jokes. It both prods and revels in geekdom  like Big Bang Theory wishes it did. There is much less of the technobabble that is part of most other shows since the creators and producers are steeped in the culture or did their research so jokes made about, say, videogames sounds natural instead of forced and borderline insulting and derisive. The show is well produced which isn't surprising given the HBO pedigree and the only real shame is there is only 8 episodes.

Buyer's Guide:
Available streaming on HBO GO and iTunes as well as DVD and BluRay sets from hbo.com.

5 Fucking Billionaires out of 5

Titus Seasons 1 & 2 (2000-2001)

"The Los Angeles Times states "63% of American families are now considered dysfunctional." That means we're the majority. We're normal. It's the people that had the mom, dad, brother, sister, little white picket fence, those people are the freaks."

Christopher Titus comes from a family that would be considered "dysfunctional". The half hour episodes would open with Titus in a black and white room talking directly to the audience and often relay some quote or story that is thematically part of the plot of the episode which are pulled almost verbatim from his one man comedy show Normal Rockwell Is Bleeding which was itself based on his real life. He grew up with his father who was a hard drinking, smoking, womanizing, 5-time divorcee who perpetually berates and belittles Titus and his idiot, stoner brother Dave in what he sees as a tough love approach to parenting. His mother was a violent, alcoholic, manic-depressive schizophrenic who was in and out of mental hospitals. As an adult he now runs his own hot-rod body shop with his brother and his best friend Tommy who is anxious and effeminate, which means he is constantly the butt of gay jokes despite being heterosexual. Titus is often only managing this craziness with the help of his girlfriend, Erin, who also comes from a dysfunctional family of alcoholic thieves and drug dealers, but has managed to grow into a somewhat normal person. The episodes would then end in the black and white "neutral space" where Titus would reiterate what he said before but now with the meaning skewed and turned on its side.

The show would often take on subject matter that other shows would fear to tread except in a special episode with a viewer discretion disclaimer. Titus would revel in it and crack fun at them while still treating the subject matter with respect whether it was sexual harassment, substance abuse, murder, suicide, etc. This puts the show squarely in the section of black comedy and it was actually part of the show's downfall. The battle with censors and the network over content was constant with Titus relaying one story about how he had to read the script for an episode page by page to an executive on the phone to convince him how it could be funny that they have to convince his father to resume drinking rather than quit because sobriety made him boring and listless. The shows were also different in shooting style as it was shot in real time in front of a studio audience on a set like a play usually in just one location. The laugh track is actually the audience members. Flashbacks and the neutral space interruptions were also played for the audience so it was seen almost exactly as it would be on air. Episodes were mostly self-contained with no overarching story with only a few bits of continuity which was only really thrown out of whack when the network would push episodes out of order for fear of its controversial plot. With its mostly untread material on network TV, its sharp and witty comedic timing and very non politically correct characters, there was nothing quite like it at the time. While it may feel a little dated now, the show still holds up on repeat viewings.

Buyer's Guide:
The DVD sets are now out of print and only available second hand which is a shame as this would be perfect for binge viewing on Netflix or other streaming service. There is a decent amount of bonus content on the discs if one does manage to grab a set.

4½ Don't be a wussy out of 5

The Royle Family: The Complete Collection (2013)

A fly on the wall style comedy about a stereotypical Manchester family who spend their lives on the sofa watching crap on television. They’re average Joes; common as shit, with a sideboard full of useless tatt and a TV remote held together with some quick-fix insulating tape. Until you warm to the flawed characters, or recognise something of your own family in them, it’s hard to see how it could possibly be entertaining. It may take more than one episode for that to happen. Waiting a week for one instalment is the worst way to experience anything episodic, but happily the series has ended, so you can binge.

The head of the family, Jim Royle (Ricky Tomlinson), is the star. His every second outburst is some kind of sarcastic, critical reproach or joke at someone else’s expense. When not making friends that way, he’s scratching himself or picking his nose. Jim unashamedly does all the things publicly that most men do privately (expect that!). There’s a little bit of Jim in everyone.

His long-suffering wife Barbara (Sue Johnston) is cook and cleaner. She likes to gossip but has a heart of gold beneath the outer shell. Somehow she and Jim mustered up the enthusiasm to have two children: twenty-something layabout Denise (Caroline Aherne) and her dogsbody brother Anthony (Ralf Little). He gets less screen time than the others, but he’s my second favourite character.

Outside of the core family, a small number of friends and neighbours pop in when they need something. It’s a small cast but you’ll be hard-pressed to find a better written set of characters in a sitcom. They share mannerisms and exhibit inherited traits like a real family who spend all their time together would.

In the three years that the weekly show ran, the camera never left the house interior. We were given glimpses of the outside world but it wasn't until the specials came along that the exterior was explored. When it happens that first time, have your hankies at the ready because it’s one of the most unforgettable and emotionally powerful TV moments I've ever witnessed. Really.

20 episodes, most of which are approx 30 minutes each, and 5 specials that run longer. Everything up to and including the 2006 special is quality, but everything afterwards was less successful. There was an attempt to wed absurdest comedy into the mix, which really didn't work.

3½ bacon-butties (made by Anthony) out of 5

That Peter Kay Thing (1999)

Like most mockumentaries, TPKT is an uneven split of hit and miss comedy. It’s a difficult format to engage with. The balance needed to keep it realistic and also provide belly laughs is something I'd not ever wish to attempt. Peter Kay does a grand job of it, though. It’s a series of six mocks each focussed on a different character. Mostly they’re jaded or unsympathetic pricks who take themselves too seriously and work hard to maintain a level of didactic self-importance that few others recognise. The clash between their ego and the personalities of the more down-to-earth people that they employ is a recurring theme.

You’ll get to see Peter Kay in various guises including in drag, in a cowboy hat and ponytail, with a mullet, and as the stressed-out owner of an Ice Cream van.

The importance of small details is something that Kay understands and uses perfectly. Alongside mannerisms is a careful use of accents and stresses that bring a number of regional gags into play. He’s a human chameleon.

Having Andrew Sachs provide narration gives it credence and authenticity. Sachs has one of those calming voices that you instantly trust.

The first episode set the template and introduced many of the characters that would go on to be regulars in the Phoenix Nights (2001-02) series, including bouncers Max and Paddy. Despite that, it’s perhaps the weakest of them all.

The highlight of the short series is episode 5: Leonard. It focuses on a strange guy who isn’t the sharpest tool in the box but is notable for being Britain's oldest paper boy. The camera follows him as he prepares to receive an award for his dedication. If you only watch one episode, I’d recommend it.

6 episodes, approx 25 mins each.

You get 'The Services' as an extra that brings the tally to 7. It was a one-off for Channel Four's Comedy Lab but also functions as a kind of pilot for the show. Don’t overlook it, because it’s one of the better ones.

3 Billy Bunters out of 5

Brooklyn Nine Nine (2013)

"I'm super glad you're here right now. Are you smelling that weed smell? Cuz a dude broke in, smoked weed and bolted."

"Do you think it's the same dude who left that bong there on the floor?"

"...yes?"

Police are not new to being TV show fodder, but it is rather rare to have the comedic version rather than a drama one especially with all the CSI's and Law and Order's out there. Even more rare that it is actually funny and entertaining. Brooklyn Nine Nine follows the detectives of the 99th precinct as they go through the idiosyncrasies of the NYPD while dealing with each other. Andy Samberg plays the main character Det. Jake Peralta who despite being a great detective is regularly dealing with the consequences of his crippling debt and man-child tendencies that irk his new, almost robotic Captain Holt played expertly by Andre Braugher. There is also his partner Det. Amy Santiago who is always out to prove herself and creepily latches onto the Captain as her would-be mentor. There is also Det. Rosa Diaz, who frequently scares everyone around her, cops and criminals alike. And there is Sgt. Terry Jeffords who would be a great cop if he wasn't plagued by crippling anxiety about police work since becoming a father.

It is quite hilarious as they go solve cases while clashing with each other as much as the criminals. All the characters are well realized and get more so as the season moves along. This adds good gravitas and endearing traits to the characters and their relationships in addition to the comedy which makes for a much more watchable show and only increases the surprise that more people aren't watching it. The episodes are also pretty self contained which means perfect for syndication which may be what some executive is going for as that means more money. An overarching plot doesn't really present itself until the end and it is then only set up as a launching point for season 2. Stellar writing, acting, and comic delivery.

Buyer's Guide:
Available streaming on Hulu, Amazon, Google Play, etc.

4 graffiti penises on minivans out of 5

Max and Paddy's Road to Nowhere (2004)

Max (Peter Kay) and Padddy (Patrick McGuinness) got their own series. Ding dang doo! The pair were last seen as bouncers on the door of the Phoenix Club in Phoenix Nights (2001-02) and had appeared in That Peter Kay Thing (1999) prior to that. If you're new to Peter Kay's world, don't worry, it's not necessary to have seen either of the previous series to enjoy Road to Nowhere.

Max sees himself as a tough but sensitive intellectual. He reads the newspaper.

Paddy sees himself as a rock hard Love God.  He reads Razzle.

The two friends live and travel around in a shoddy motorhome that has a Mr T bobblehead on the dash. Why? Why not!

The reality of their 'Easy Rider' lifestyle is simply two gobshites in a cramped space. The comedy is split between that and the scrapes they get into when they stop the vehicle and venture out into the real world.

If the show had maintained the quality of the first two episodes, it'd be a classic, but the four that followed weren't quite as good. It's still hilarious most of the time, I don't mean to imply otherwise. What made it special was that it'd occasionally drop a sensitive moment on you when you least expect it.

6 episodes, approx 25 minutes each.

3 cherry bakewells out of 5

Pramface (2013)

We're not in a relationship. We're barely even mates. 
We're just two people who had a kid.

Series 2 begins with Jamie and Laura now dealing with the trials and tribulations of being new parents. Jamie must juggle schoolwork, a job and parenting while Laura feels isolated and ignored by anyone she might be able to even converse with. Both suffer judgement and shame from strangers and even family while mostly tolerating each other. The series becomes more of an ensemble this season as the large cast of supporting characters get much more screentime and plotlines of their own. It was only a problem in that the supporting characters were often much more interesting than the leads. Mike continues his never-ending quest to lose his virginity while Beth sabotages him at every juncture and the various grandparents manage unemployment and rough spots in their respective marriages.

While the two leads are a bit overshadowed, they are by no means bad. It is deliciously wonderful to watch them awkwardly fumble around each other. Jamie tries his hand at dating and Laura trying to make adult friends are particularly cute, but the nature of the situation always comes around like in the quote above. Though it never veers to serious. Whenever it moves close to that line, the mood will be lightened by Mike doing something idiotic or Laura's father Alan will be quirkily doing something weird because of his recent head trauma. Still a decently watchable show, even more so if you like the rest of the cast.

Buyer's Guide:
Available for US audiences on HULU.

3½ Magic Mushrooms out of 5

Pramface (2012)

I know you're not a slut. A drunk and borderline paedophile, maybe, but not a slut. 

16 year old Jamie has just finished his exams and with his friend Mike crashes a party in the hopes of getting laid. Jamie is the only one to accomplish the task with the help of alcohol and a girl named Laura, a straight A student on her way to university who was just angry at her parents that night and in her drunkenness thought Jamie was sweet. After their night of drunken condom failings, Laura becomes pregnant and must now deal with all the trials and stigma of being a teenage mother as well as the lifestyle differences between Jamie's working class family and her upper class, rich one.

This short little comedy series deals with its subject matter in a very real and relate-able way while still being funny. The characters are actually fun and dynamic with even the secondary characters having some depth to them. Laura's parents are working through an affair by her father and Mike is a heaping load of comic relief with his shenanigans while still being a great friend. Jamie's other friend is a girl named Beth who despite her propensity to take up causes and charity, is rather insufferable about it. Jamie and Laura are the main source of drama as they clash over the pregnancy, but still manage to cooperate (mostly) even though they are basically strangers.

There was a little bit of a learning curve since the show is very British and being an American I wasn't always clear on the slang. I even had to look up the title, which while appropriate could probably still have used some more thought for marketing purposes. This also worked in the show's favor as the unique American prudishness about this type of subject isn't present and adds that more realistic touch whereas things like smoking and swearing would have been excised on this side of the Atlantic. A short and sweet 6 episode run.

Buyer's Guide:
Available to US audiences for free on Hulu. Here.

3½ Interrupted masturbation sessions out of 5

Blackadder: The Specials (1988 - 1999)

I'm not going to go into every detail about this volume, because it's the weakest entry in the series and will be of very little interest to most people. It's damn expensive to buy singly, so, for the completists who already own Series I–IV, if you must have it your best option is to double-dip and get The Complete Collection Box Set for a fraction of the price.

Firstly, Blackadder's Christmas Carol. It's the Dickens classic given a comedy makeover, featuring some of the best comedic talent in Britain at the time. It's longer than a typical episode. It was a joy to see Robbie Coltrane doing comedy again. He's good at it. What more can I say? Stuff it in your gift sock.

The Cavalier Years is an interesting addition. It's set in 1648, during the English Civil War. It's very similar to Blackadder II. If you picture Lord Edmund with a shaggy-perm wig you'll be close to the mark. It was part of Comic Relief's Red Nose Day in 1988 and is sadly only half the length of a regular episode. It's good that it's a standalone because, while it could've certainly worked as a series, it's much too similar to what came before.

The remainder of the disc is less than impressive. I'll mention Blackadder: Back and Forth because it's presented as the 'final episode in the saga,' but the less said about it the better because it's a piss-poor effort. Rowan Atkinson tries his best but it feels as if everyone else is merely going through the motions for old-times sake. It was a disappointing end to an otherwise great series.

2½ buggered giddy aunts out of 5

Blackadder Goes Forth (1989)

In some ways it's business as usual, but in other ways the fourth incarnation is very different. I can't say why without going into spoiler territory, but I'm confident you'll come to the same kind of conclusions if you watch it.

It's set in 1917. Edmund and his companions occupy a WWI trench on the Western Front. They're all a little stir crazy. Edmund being Edmund means he'd rather be elsewhere doing other things, anything, and so spends the entire time trying to achieve that seemingly impossible goal.

It's a kind of reunion of past cast members, each given a military rank. Besides Captain Blackader there's Private S. Baldrick (Tony Robinson); Lieutenant George (Hugh Laurie); Captain Darling (Tim McInnerny); General Melchett (Stephen Fry); and a few more cameos. Fry gets some of the best lines. I'm amazed he managed to deliver many of them without breaking down into hysterics.

While Blackadder II remains my personal favourite, there's no doubt that IV has better production. The sets are more believable and the costumes are beautifully made. It feels less like a comedy sketch show with a tacked on plot and more like an actual sit-com with real, lasting consequences. The actors fit their roles perfectly. The individual episodes are better scripted and the satire is arguably more relevant to our time. The last episode in particular deserves high praise.

6 episodes, approx 30 minutes each.

4 of the best, trousers down out of 5

Blackadder the Third (1987)

The third incarnation of Blackadder jumped forward to the years leading up to the British Regency period (sometime in the late 18th or early 19th Century), making Edmund the personal butler of the Prince of Wales.

The cast was lessened considerably, to just four regulars, and to compensate the dialogue was given even more importance. There seems to have been a conscious effort to make almost every word of Edmund's have some hilarious snide or sarcastic humour attached to it. He really is an acerbic git.

Baldrick is as important to the show's structure as Blackadder himself, so it's no surprise to see him return.

We finally get to see Mrs Miggins, who, no disrespect to actress Helen Atkinson-Wood, was the only new addition that felt de trop. The character simply didn't get anything noteworthy to do.

The final regular is the son of King George III, the Prince Regent who's also called George, played by Hugh Laurie. Laurie is a natural born comedian. He's utterly believable as the epitome of the thick-as-shit, silver spoon-fed toff; he even managed to make Baldrick look relatively smart.

The Royal setting again enabled critique of the upper class and the monarchy, both of whom deserve all they get. Hurrah!

6 episodes, approx 30 minutes each.

3½ turnips out of 5

Blackadder II (1986)

After the disappointing first series, I'm surprised that Blackadder II ever got the green light, but it did and I'm very glad. Ben Elton joined Richard Curtis on writing duties, which helped matters considerably. Ben was no stranger to cheap alternative comedy having worked on The Young Ones a few years before. The BBC put restrictions on the production, but the two men managed to turn them to their advantage.

It's set in England during the Elizabethan era (1558–1603). The new Blackadder is a descendent of the original Black Adder. That means he can have different characteristics and a different personality. Elizabethan Edmund is a lot more confident and much less of a wet handkerchief. He also has to be more cunning because he's still attached to the Royal Court, and the Queen will have his head if she finds out about his antics. She's impulsive like that.

Both Percy (Tim McInnerny) and Baldrick (Tony Robinson) returned, but there was no Brian Blessed (Boo!). His absence was softened by having some new cast members who brought a new dynamic to the show.

Miranda Richardson played Queen Elizabeth. For two decades now whenever someone mentions Queen Elizabeth she’s the first thing I think of.

The Lord Chamberlain, Melchett, is played by the awesome Stephen Fry.

Patsy Byrne played the bewildering Nursie, the Queen's former nanny.

And finally, cameos from a small number of other famous British comedians kept things interesting. You'll find out who they were if (or when) you watch it.

6 episodes, approx 30 minutes each.

3½ devil's dumplings out of 5