Mini reviews of Television seasons old and new. No fuss. No spoilers. Occasional bunnies.
Showing posts with label Action. Show all posts
Showing posts with label Action. Show all posts

Tuesday, November 28, 2017

Kamen Rider W: Hidari Shoutarou's Hardboiled Delusion Diary (2009-10)


These shorts were included as extras on W's myriad DVD releases. Because the plot points that are mentioned in each delusion don't always line up with the Dopant suits that appear, I recommend viewing these post-series for the sake of ease. If you absolutely insist on risking it, just don't watch number 11. It contains a catastrophic spoiler for the endgame. You've been warned.

12 shorts, ranging from 3-5 minutes, apiece.

Saturday, October 15, 2016

Net Edition: Kamen Rider Backwards-Kiva:
Queen of Hell's Castle (2008)

A rare moment of Sosuke being nice to Bomper.

You should watch them before seeing Kiva's dedicated movie, if you are interested.

Engine Sentai Go-Onger: Bom Bom! Bom Bom!
Net de Bong!! (2008)


The net movies for the Go-Ongers' dedicated cinematic excursion are a bit special amongst their peers, in that they are not all set prior to the Go-Ongers' dedicated movie, BunBun! BanBan! Gekijobang!!. The first three take place prior to its events, with the third concluding on them henshining and heading to the scene. The fourth takes place during it, and the fifth sees their return.

You can watch them after Gran Prix 24.

Monday, April 4, 2016

Samurai Sentai Shinkenger: The Light Samurai's Surprise Transformation (2009)


This can be viewed after Act 24 and their movie.

Kamen Rider Agito Special: A New Transformation (2001)


This was aired between episodes 35 and 36 and you’ll want to watch it then, too, as this conveys all of the emotional significance behind Agito’s final form. The debut of it in the show itself (in episode 37) assumes you’ve seen this as there’s not much in the way of specific explanation. It's worth noting that G3 Mild appears here.

Tuesday, May 12, 2015

Transporter: The Series: Season 2 (2014)

Much changed between Season One and Two and not all of it’s good change. Frank’s attitude toward his job is the same—he’s still a practical, matter-of-fact guy with a plan that tends to go tits-up before the halfway point—but now he’s more like James Bond in how he goes about things. I suspect that behind the scenes someone actually said ‘Let’s make him more James Bond,’ and they did, unfortunately. The B-Movie charm that existed previously is compromised, replaced by a TV production with aspirations of being a secret agent movie.

There are personnel changes, too. Carla Valeri (Andrea Osvárt), the woman that functioned as a mysterious liaison between the transporter and the often shady customer, is replaced by the foxy Catarina Boldieu (Violante Placido).

Catarina does a similar job but she’s more active. Her multilingual skills are an asset to Frank, so he occasionally has a need for her to accompany him on jobs. Her role is well-defined and not shoehorned in if there's no need for her presence in the field. The chemistry between the pair is more interesting than it was with her predecessor. Of the changes made, she's the most successful.

As before, Inspector Tarconi (François Berléand) cameos from time to time.

There's a more global focus to the stories. Frank hops borders frequently, travelling to places like Libya and Belarus, coming into contact with regional gunmen all trained at The A-Team school of villainy and marksmanship.

Somehow, people do actually get killed and because we're now in dark, thuggish, modern Bond mode there's not always a happy ending.

It’s mostly stand-alone episodes, but the beginnings of an ongoing arc creeps in and a nemesis for Frank is highlighted. It feels a little forced but also shows a confidence in the material and a willingness to make things even more personal in the next season, if it isn't cancelled before then.

12 episodes, approx 45 minutes each.

3 variables accounted for out of 5

Saturday, April 11, 2015

Kamen Rider W (2009-10)



I'll leave this bit, here, out of respect to the friends who helped me write it:

The purple and green of W’s base form speaks to the fundamental theme of the series: one does not exist without the other, because they exist within one another. Philip’s sins mirror Shoutarou’s and their strengths and weaknesses complement and compensate for one another’s. The concepts of compassion, justice, human frailty, fear, loss, and community are examined, but far eclipsing of those is the exploration of the true nature of family.

Tuesday, September 2, 2014

The A-Team: The Complete Series (1983–87)

I was reminded recently that the question, "Why do you watch that crap?" makes me less inclined to validate the reasons for my own choices and instead more aware of the hidden agenda of the person asking it. It's not a genuine inquiry. It's a thinly disguised insult. With that in mind, I feel sorry for anyone who didn't have The A-Team in their front room as a kid. Not having Sergeant First Class 'B.A.' Baracus, Colonel John 'Hannibal' Smith, Lieutenant Templeton 'Face' Peck and Captain 'Howling Mad' Murdock to provide escapism and feed the imagination is like having an integral part of a happy childhood denied you. It's like having never played with LEGO. It's like having never tasted strawberry sherbets in summer.

Being a fan of The A-Team was a privilege; one that was available to every sighted person who owned a working TV, whether it was the rich kid with a silver spoon feeding both ends simultaneously, or the ostracised, abused kid with an alcoholic father whom everyone thought was destined to be the same.

The show taught us that with good friends and a little ingenuity we could stand up to the bullies. (It made me want friends that I could rely on as much as the team relied on each other. I don’t know if I ever had them. I like to think that I had.)
It taught us that money isn't important to happiness, which was the opposite of what most corporate 80s TV programs wanted us to think, and it repeatedly showed that a selfless good deed is its own reward.
It taught us that Hannibal loves it when a plan comes together.
It taught us that villains will always get up afterwards with nothing more serious than dizziness and a bruised ego. But that part was a lie. In so doing, whether intentional or not, that same lie taught us that real life wasn't always like TV.

In the past year I've thought more than a dozen times that whichever post I'm working on at the time is the last one I'm making on this particular site, but I keep coming back. It's now clear to me why: I want to give all the people who get asked "Why do you watch that crap?" an incentive to revisit the reasons why they did watch it and to remember what it was that they gained from doing so. If you love something, scream it from the rooftops.

(What you're reading isn't the kind of review I was expecting to write when I sat down. I'd planned some jokes about B.A.'s bad acting, Hannibal's bad disguises, Murdock's tee-shirts, Face's shameless sexism and how in a pinch the team could build a tank from an egg box, but you've heard all those jokes before. This way, when the time comes for me to ride off into the sunset, I'll be entirely satisfied.)

98 episodes (5 Seasons), approx 47 minutes each, split over 27 discs.

5 wheel cams out of 5

Saturday, May 3, 2014

Transporter: The Series: Season 1 (2012)

British actor Chris Vance replaces Jason Statham as the ex-SAS man Frank Martin in a spin-off from the Transporter movies. Frank’s house is well-ordered and he carries a spare suit in the boot of his car. That’s the kind of guy he is. He’s also a resourceful driver that transports packages from A to B with no questions asked; discretion is paramount. He lives by his own code and is a stickler for the rules:
01. Never change the deal.  |  02. No names.  |  03. Never open the package.
He’ll often quote one of them a few minutes before he invariably breaks it.

Vance’s portrayal of the character is more sympathetic than Stath’s. He’s a sucker for righting an injustice. He needs to be because it isn't just 90 minutes of explosive escapism. It’s an ongoing development in which the hero operates in a gray area of morality and law. He doesn't know what he’s carrying but he’s aware that it’s more than likely illegal. That willingness to facilitate criminals needs to be offset by something if we’re to continue to like him; we need to know that he’s a nice guy beneath the ‘out of sight - out of mind’ ideology. Besides that, his mannerisms and his penchant for using objects in creative ways during fights are the same as they were in the movies.

Frank is assisted by his mechanic Dieter (Charly Hübner) and his agent Carla (Andrea Osvárt). Dieter is the comic relief much of the time but it’s never goofy and he’s a solid, dependable guy. He was my favourite.

Carla is less successful but only because she’s purposefully mysterious. She’s an enigma. All we really know in the early episodes is that she arranges deals and acts as a liaison between Frank and the clients. She’s like Batman’s Oracle.

The only returning actor from the films is François Berléand, who plays Inspector Tarconi; he drops in occasionally to keep Frank on his toes.

You’ll need to make some small allowances for the fact that it’s a TV production, but if you liked the movies then chances are good that you’ll like the series.

12 episodes, approx 45 minutes each.

3½ elegant solutions out of 5