It's not all death and murder, though. There's a lot of comedy, too; much of which revolves around Jonathan's relationship with his partner in crime-solving, the female writer/investigative reporter, Maddie Magellan (Caroline Quentin). He's the reserved, quiet sort, whereas she's the bold, outgoing kind. As the show progresses their relationship deepens and they spend more and more time under each other's feet, and on each other's couch.
An ongoing sexual tension would be too much of a cliché. Instead, Maddie just wants to bang Jonathan to within an inch of his nerdy life. It's not because he's dashingly handsome - it's because she likes a challenge, too.
I'm not suggesting the show is free of clichés, because it isn't. The murder in a locked room scenario pops up often and becomes a kind of running joke. It even relies on a few others of its own making.
Every great detective needs an equally great theme tune to set the mood for what follows. Creek doesn't disappoint. It uses a slightly more fickle arrangement of French composer Camille Saint-Saëns' wonderful Danse Macabre. It's the perfect accompaniment to the show's clever but equally fatuous nature.
Stick around after the credits roll on the pilot for a scene that isn't important to the murder story but is relevant to something else.
S1: Pilot approx 90 mins + 5 episodes approx 60 mins each.
S2: 6 episodes, approx 50 mins each. | S3: 6 episodes, approx 50 mins each.
4½ slow drips out of 5
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