HANNIBAL: SEASON TWO [2014]

"The most beautiful quality of a true friendship
is to understand and be understood with absolute clarity."

Bryan Fuller's grotesquely beautiful psychological horror series Hannibal returns for a second helping of disturbed mind-games, exquisitely prepared stomach-turning feasts and bloody nails digging dip into the troubled psyche of it's characters and viewers alike.  Inspired by novelist Thomas Harris' characters from Red Dragon & Hannibal, the series builds into a discomforting world of it's own and seems to transform into a creature far apart from the films most folks are quick to compare it to.  

The season starts off, directly where the previous year left off at, with the heavily damaged crime scene profiler Will Graham (Hugh Dancy) incarcerated in a mental hospital, framed for the atrociously violent crimes that his brilliantly manipulative flesh-eating psychiatrist Dr. Hannibal Lecter (Mads Mikkelsen) set him up for.  Not a single soul believes Graham (who questions himself) is innocent, even his boss Jack Crawford (Laurence Fishburne) who blames his own agenda for pushing Will too far into the minds of the deranged killers they chase.  Here we're invested in a clever reflection of what is come, as we see Graham & Lecter speak to each other through bars, politely playing each other ever so carefully with love, hate and everything in between.   The tale digs deep in to a some darkly rich storytelling about human weaknesses, coming to terms with oneself, unhealthy obsession and where the thin line between friends and enemies is drawn.  

With a lesser talented cast, some of the more absurd moments wouldn't really work but with Fuller's imagination it places it in a nightmarish world we know doesn't exist but it feels right somewhere deep within our minds.  Unlike last year, we aren't so focused on individual cases and instead the writing is more interested in digging into the psychological aspects of the characters and how they slowly twist and turn into what Dr. Lecter wants them to be.  It's a difficult but successful task to make us believe Hannibal is as intelligent as he is but what is even more impressive is we never feel the other characters are dim-witted to not even suspect him in the slightest.

   

The show is wise to rarely ever show Hannibal's murders committed on-screen, so we do feel something for him but when we do catch the odd glimpse here and there, we're absolutely terrified and shocked at the violence erupting from the normally calm-mannered man we've grown attached to.  That's not to say there isn't any violence because the blood comes in the gallons, so much that even as a horror-hound myself, I find myself very uneasy in several moments.  It's like they break your mind down with psychological horror then absolutely traumatize you with graphic violence and to say the least, it works so very, very well.  This is especially proven in the heart-breaking bloodbath of a season finale that will leave you aghast and most likely very upset long after the credits have rolled.

The cinematic photography, on-the-nose editing, moody yet vibrant color palette and effectively frightening soundscapes from composer Brian Reitzell, makes Hannibal a rarity among the legions of more accessible shows it bumps shoulders with.  It's the cable TV show snuck onto basic cable that critics and fans alike have constantly called the best series on network television that no one's watching.  Seeing as season one and two combined play like a first chapter, it seems to be just the appetizer to what can only be an intriguing main course.  

4  man-eating pigs out of 5

HANNIBAL: SEASON ONE [2013]

"Here we are:
a bunch of psychopaths
helping each other out."

When it was first announced that Thomas Harris' Hannibal Lecter character was being developed into a prequel television series all were very leery of it's presence.  It was even stranger when Bryan Fuller, creator of such quirky quality shows as Wonderfalls & Pushing Daisies, was to be the showrunner.  Or how could a series about a cannibal ever pull off what it needs to, in order to be successful in a primetime slot on network television?  To add to all that, it's widely considered that Sir Anthony Hopkins already exquisitely defined the character in it's own popular film franchise.
The series had everything running against it and much to everybody's surprise it's a wonderfully developed adaptation that's much more than anyone could have ever imagined.

We've already seen Dr. Lecter imprisoned on film, so Hannibal takes us back to the days leading up to his arrest, following most of the characters introduced in Harris' Red Dragon novel.  Danish actor Mads Mikkelsen is given the daunting task of filling the role of Dr. Hannibal Lecter and he re-imagines it with a subtle yet immensely creepy grace.  British actor, Hugh Dancy (who co-starred with Mikkelsen in 2004's King Arthur) plays FBI special investigator Will Graham with a truly complex and memorable sense of anguish, heart and frightening confusion.  Veteran actor Laurence Fishburne does a magnificent job at portraying Special Agent-in-Charge Jack Crawford while Fuller interestingly takes the male characters of Dr. Alan Bloom and tabloid journalist Freddy Lounds, then gives the roles to actresses Caroline Dhavernas & Lara Jean Chorostecki.  A recurring slew of genre guest stars round out the cast, including Gillian Anderson, Eddie Izzard, Scott Thompson, Anna Chlumsky, Kacey Rohl and Gina Torres.  They all play psychologically disturbed people, good & bad, who are all drawn to each other for one reason or another and it's quite interesting to see the dynamics at play.  

Great acting and characters aside, the series is also blessed with some tightly wound storytelling that is both horrific and beautiful.  The dizzying conversations between the characters gives one a lot to think about, which we quite often find ourselves uncomfortably exploring long after the episode is over.  At first it appears the series wants to focus on the crazy killer of the week but as the story progresses we slowly learn that each case has it's dangerous repercussions on the trembling psyche of it's characters and it all meets up for a jaw-dropping finale.

Aesthetically the series is top-rate.  In fact, I'd go so far as to call it Pushing Daisies' evil twin, with it's strong focus on set design, color and ever-present music.  They might be working on a very low budget but you would never guess it as it really is one of the most gorgeous looking shows on the air at this time.  

The violence and gore is another thing.  I really have no idea how they get away with the things that they do here.  It really is stomach-turning, so much that Fuller himself actually pulled an episode from airing because he felt he went just a little too far.  As horrific as some of things are that we see on screen, Hannibal is at it's most terrifying as a psychological horror.  It wraps it's icy hands around your neck and suffocates you, leaving you haunted for the days to come.  Obviously, it's not a show for everyone due to it's extreme subject matter but should you partake in it's all it's bloody hypnotizing glory, you'll find this is televised fine dining at some of it's best.  

4 pendulums out of 5

Pushing Daisies (2008)

"What's your plan? To bring him back and ask him where she is?"
 "..."
"That was a joke."
"Heh-heh."

Season 2 kicks off some time after the season 1 cliffhanger. The Pie-Hole waitress Olive is crumbling under the weight of the secrets she now knows, private investigator Emerson Cod continues in his quest for a certain missing person, alive-again Chuck wishes to reconnect with her past and The Pie-maker Ned wishes to stay connected to his can-never-touch sweetheart Chuck even as circumstances force new changes on them. All that digging into their collective pasts though may dredge up things that they didn't expect and may even be dangerous. All while continuing to solve bizarre and outlandish murders by reviving the victims to ask who killed them.

With the extended episode count, the show was going new and interesting places. But then it is quickly and hastily shoved into a mostly unsatisfying conclusion in the end due to cancellation. Having never recovered the lost audience from the writer's strike the previous year, ABC decided to not renew the show despite some mail-in efforts of daisies and pies by fans as well as petitions and the remaining episodes were sporadically burned off. Which is a pity because the aforementioned new stories were looking to be exciting and what is there is still wonderfully entertaining with colorful and fantastic aesthetics, strange and original murder mysteries and snappy banter. There is also a cadre of wonderful guest performances from many well-known actors throughout the episodes that bring great characters and stories to a bittersweet end.

Buyer's Guide:
Available in DVD and Blu Ray box sets and on iTunes, Netflix and Amazon.

4½ Alliterative names and gratuitous cleavage out of 5 

Pushing Daisies (2007)

"You can't just touch someone's life and be done with it."
"Yes I can. That's how I roll."

Ned is The Pie-maker, a bakery owner who learned at a young age that he could revive dead things with a touch. The caveat is he can only keep what he touches alive for one minute or something else will die in its place. If he touches a revived thing again it will return to being dead forever. He uses this gift to help his business partner who is a private investigator by reviving murder victims to ask who killed them and collect the rewards. This becomes a problem when the case involves his childhood sweetheart being murdered on a cruise. Ned revives her, but is unable to re-dead her because of his love for her and ends up letting her live and she becomes the newest crime-solver. Ned also begins a relationship with her. One in which they cannot physically touch lest she die again in addition to an amorous third party in the bakery waitress and Ned's own neuroses.

Bryan Fuller created an odd mix of a show here. It is both very upbeat with its lighthearted soundtrack, bright, saturated colors and borderline saccharine romance, but also with a foot in the grim with it's gruesome murders and black comedy. It is by design reminiscent of a fairy tale (complete with a great narration by Jim Dale), but not the happily ever after kind. The old, uncensored and very adult tales before they were watered down into kid's bedtime stories.

Despite there being at least one dead body per episode, the show never veers too serious. The likeable characters are full of jokes and witty banter about the often very odd and hilarious deaths around them that range from the typical guns and strangulations to death by scratch n' sniff and being run over by monkeys. Add a cup of romance, relationships, jealousy and secrets for an entertaining and original mix of a show that despite its jumble description of a comedic detective fantasy drama is very coherent and very watchable. Season one's writer's strike truncation to 9 episodes is the only real problem as there should have been more of a season.

Buyer's Guide:
Available on DVD and Blu Ray box sets and on iTunes, Netflix and Amazon Instant Video.

5 "Bitch, I was in proximity!" out of 5

Wonderfalls (2004)

A quirky drama about a young woman who is dissatisfied with her crappy retail job in a Niagara Falls gift shop, especially after her coworker is promoted over her despite him still being in high school. While fuming about it, she somehow manifests the ability to speak to the inanimate animals she sells that begin to ask her to perform odd requests that encourage her to help people, sometimes at her expense and often in funny and oblique ways.

Caroline Dhavernas plays the caustic and anti-social Jaye who at first only reluctantly goes along with the animal's requests while questioning her sanity, but eventually starts to soften up to the people around her like her overbearing parents, lesbian sister and pretty much all people she tries to actively avoid. Eric, played by Tyron Leitso, is the love interest and new bartender at Jaye's favorite bar as he was recently married, but ran off from his honeymoon after catching his new wife cheating on him with a hotel staff member. He drank and cried for three days until the owner gave him a job. His kindness and good nature is the antithesis of Jaye, but he finds her interesting nonetheless and sees her as not as uncaring as she thinks usually because of the good deeds the animals force her to do.

Creator Bryan Fuller continues his trend of shows revolving around special young women in an odd situation except this time he has the added benefit of executive producer Tim Minear who also worked on another great and cancelled FOX show, Firefly. With a cast full of great actors and a fresh and original premise, Wonderfalls gained critical praise and a loyal fan-base despite only airing 4 episodes before being cancelled by FOX. There is great character development especially a noticeable shift in Jaye and weird comedy bits. Plus it's just nice to have a show that isn't a medical drama or police procedural for once.

Episodes to See:
Ep. 8 Lovesick Ass - A quite hilarious plot about a mail order bride with an excellent guest performance by a young Spencer Breslin.

Buyer's Guide:
Thanks to a grassroots petition, there is a DVD set available of all 13 episodes made for season 1 though it is only available in Region 1 so far. Also now through Netflix.

5 smooshed-face lions out of 5