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Feel free to (not) watch this anytime after Gran Prix 37.

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Knights of God (1987)

The fists and crossed swords symbol used by the Knights is a simple but striking and highly evocative design, wordlessly communicating to a viewer that the guiding credo of the order isn't concerned with benevolent protection, it's one of militaristic strength and aggression nestled within colours associated with fascism.

In post-civil war Britain (2020 AD) the Knights rule with force, guns and border patrols, killing any who dare resist their control. It's a children's TV show but the killing doesn't happen off-screen; there's more hard-hitting acts of violence shown than you'd expect to see in a production with such a classification. In today's culturally sensitive climate it would probably be labelled as YA.

The Welsh resistance, onetime fishermen who now hold automatic pistols and machine guns, refuse to accept the fascist regime. They're the biggest thorn in the Knights' broad side. The resistance group put their lives on the line in the fight for freedom. Prior Mordrin (John Woodvine), the Knights' leader, is obsessed with crushing their cause; he formulates a dangerous plan to make it happen.

Problematic civilians who aren't killed are sent to "Education Retraining Centres"; i.e. internment camps. It's there that the story begins to have a more direct focus, having had the foundation for such laid prior to the relocation. The young protagonist, Gervase Edwards (George Winter), is tested both emotionally and physically by his captors, ironically preparing him for what's to come.

It's abundantly clear that a lot is at stake, more than just personal freedoms, but it doesn't reveal the full extent of exactly what it is until later, deep into the final third. However, the episodic conflict may well lose a large part of a modern audience before that happens because of its slow progression, the conflict is often fought through a dialogue-heavy battle of wills, which is a dramatic change of pace from the armed war of attrition undertaken in the borderlands.

The complexity is extended to the inner-workings of the Knights. Brother Hugo (Julian Fellowes), the Prior's second in command, is a sadistic, power-hungry and ambitious individual with a comb-over, the sort of officer that's not to be trusted.

If you find that the series holds your attention even in the quieter moments then there's much to be gained from sticking it out to the end. There's a hasty wrap-up that really ought to have been given more time to breathe, but overall it's quality TV that puts emphasis on depth of character and conviction over all else.

13 episodes, approx 26 minutes each.

4 rising tides out of 5